{"id":8200,"date":"2022-12-01T12:54:24","date_gmt":"2022-12-01T12:54:24","guid":{"rendered":"https:\/\/glasfrynproject.org.uk\/w\/?p=8200"},"modified":"2025-05-20T07:33:47","modified_gmt":"2025-05-20T07:33:47","slug":"john-goodby-in-a-tongue-of-the-time-for-chris-torrance","status":"publish","type":"post","link":"https:\/\/glasfrynproject.org.uk\/w\/8200\/john-goodby-in-a-tongue-of-the-time-for-chris-torrance\/","title":{"rendered":"John Goodby: In a Tongue of the Time (for Chris Torrance)"},"content":{"rendered":"<h4><span style=\"color: #0000ff;\">To Read the Poem: <a style=\"color: #0000ff;\" href=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2022\/12\/In-a-Tongue-of-the-Time-2.pdf\">In a Tongue of the Time<\/a><\/span><\/h4>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #339966;\">John Goodby is Professor of Arts and Culture at Sheffield Hallam University. He is a poet, critic, and translator, and an authority on the work of Dylan Thomas, whose\u00a0<i>Collected Poems<\/i>\u00a0he edited in 2014. His poetry books include\u00a0<i>Illennium<\/i>\u00a0(Shearsman, 2010) and\u00a0<i>The No Breath<\/i>\u00a0(Red Ceilings, 2017), and he has published translations of Soleiman Adel Guemar (with Tom Cheesman), Heine, Pasolini and Reverdy. With Lyndon Davies he ran the Hay Poetry Jamborees 2009-12 and edited the anthology\u00a0<i>The Edge of Necessary: innovative Welsh poetry 1966-2018<\/i>\u00a0(Aquifer, 2018)<\/span><\/p>\n<p>&nbsp;<\/p>\n<h4>Click here to go back to:\u00a0<a href=\"https:\/\/glasfrynproject.org.uk\/w\/8008\/contributors-and-links-to-pages-1-4-4\/\">Contributors and Links to Pages 1 &#8211; 4<\/a><\/h4>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>To Read the Poem: In a Tongue of the Time &nbsp; &nbsp; John Goodby is Professor of Arts and Culture at Sheffield Hallam University. He is a poet, critic, and translator, and an authority on the work of Dylan Thomas, whose\u00a0Collected Poems\u00a0he edited in 2014. His poetry books include\u00a0Illennium\u00a0(Shearsman, 2010) and\u00a0The No Breath\u00a0(Red Ceilings, 2017), [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":8145,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false},"categories":[67,12],"tags":[],"jetpack_featured_media_url":"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2022\/11\/images.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p42xiC-28g","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/8200"}],"collection":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/comments?post=8200"}],"version-history":[{"count":10,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/8200\/revisions"}],"predecessor-version":[{"id":8394,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/8200\/revisions\/8394"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media\/8145"}],"wp:attachment":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media?parent=8200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/categories?post=8200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/tags?post=8200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}