The following poem in response to Chris Torrance emerged through Rhys Trimble and Lee Duggan’s ongoing collaborative project.<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
Rhys Trimble is a neurodiverse, bilingual, Welsh, English and Wenglish poet, visual-poet, teacher, translator, performer, critic, musician [in Lolfa Binc, Punk, Anxiolytics electro, in gglec -sound art and Wolframite in Nantes – improvised ensemble], visual artist, mystic, pastynwr<\/em>, performance artist, publisher and editor [of ctrl+alt+del ezine] born in Zambia, raised in South Wales and resident in North Wales. www.rhystrimble.com<\/span><\/p>\n <\/p>\n Lee Duggan<\/span>\u2019<\/span>s first collection, Reference Points<\/em> (Aquifer 2017) met with enthusiastic <\/span>reviews in Poetry Wales, E<\/span>lliptical Movements, and Litter Magazine. H<\/span>er highly individual sonnet sequence Green<\/em> (Oystercatcher 2019) was also met with critical acclaim. Lee\u2019s work featured in the ground breaking anthology of contemporary Welsh innovative poetry, The Edge of Necessary<\/em> (Aquifer 2018). More recently her work has appeared <\/span>in Golden Handcuffs Review, Black Box Manifold, Tentacular, Tears in the Fence, Noon, Molly Bloom, Poetry Wales, Seren and Junction Box.\u00a0 She has forthcoming collections from Aquifer and Contraband.<\/span><\/span><\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" The following poem in response to Chris Torrance emerged through Rhys Trimble and Lee Duggan’s ongoing collaborative project. To Read the Poem:\u00a0trees trees trees Rhys Trimble is a neurodiverse, bilingual, Welsh, English and Wenglish poet, visual-poet, teacher, translator, performer, critic, musician [in Lolfa Binc, Punk, Anxiolytics electro, in gglec -sound art and […]<\/p>\n","protected":false},"author":2,"featured_media":8145,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false},"categories":[67,12],"tags":[],"jetpack_featured_media_url":"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2022\/11\/images.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p42xiC-25x","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/8031"}],"collection":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/comments?post=8031"}],"version-history":[{"count":8,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/8031\/revisions"}],"predecessor-version":[{"id":8289,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/8031\/revisions\/8289"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media\/8145"}],"wp:attachment":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media?parent=8031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/categories?post=8031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/tags?post=8031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Click here to go back to:\u00a0Contributors and Links to Pages 1 – 4<\/a><\/h4>\n