![\"\"](\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2022\/11\/Wandering-for-John-after-Friedrich-2022-11-08-17.39.36.jpeg\")
<\/a>Wandering for John, after Friedrich 2022-11-08<\/p><\/div>\n
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For John James, after\u00a0H\u00f6lderlin<\/span><\/strong><\/p>\n \u00a0<\/span><\/p>\n \u00a0<\/span>Unforgettably came, astonishing<\/span><\/p>\n Hot, that plenitude. For we lack<\/span><\/p>\n Song, which frees us<\/span><\/p>\n now we are far apart<\/span><\/p>\n sharer of my sorrows<\/span><\/p>\n And trees surrounded us with fragrances<\/span><\/p>\n \u00a0<\/span><\/p>\n Came over us, dumbfounding<\/span><\/p>\n Hot is wealth. For we lack<\/span><\/p>\n Song that loosens the mind<\/span><\/p>\n where we went separate ways<\/span><\/p>\n sharer of my sufferings<\/span><\/p>\n And there was fragrance of trees around us<\/span><\/p>\n \u00a0<\/span><\/p>\n In time for lunch, speechless<\/span><\/p>\n Hot that encounter. For we lack<\/span><\/p>\n Song that lifts our intentions<\/span><\/p>\n until we met again<\/span><\/p>\n Distant, in the undergrowth, and trees<\/span><\/p>\n Were all around us with their scent<\/span><\/p>\n <\/p>\n <\/p>\n <\/p>\n Allen Fisher, poet, painter, art historian,<\/span> <\/p>\n For John James, after\u00a0H\u00f6lderlin \u00a0 \u00a0Unforgettably came, astonishing Hot, that plenitude. For we lack Song, which frees us now we are far apart sharer of my sorrows And trees surrounded us with fragrances \u00a0 Came over us, dumbfounding Hot is wealth. For we lack Song that loosens the mind where we went […]<\/p>\n","protected":false},"author":2,"featured_media":8145,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false},"categories":[68,12],"tags":[],"jetpack_featured_media_url":"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2022\/11\/images.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p42xiC-21R","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/7803"}],"collection":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/comments?post=7803"}],"version-history":[{"count":16,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/7803\/revisions"}],"predecessor-version":[{"id":8336,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/7803\/revisions\/8336"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media\/8145"}],"wp:attachment":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media?parent=7803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/categories?post=7803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/tags?post=7803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\npublisher-editor Spanner, co-publisher Aloes Books.<\/span>
\n\u2022 currently paintings in group show at Courtyard, Hereford.<\/span>
\n\u2022 paintings and performance Kunsthall Oslo, October-November 2022.<\/span>
\n\u2022 show and performances at tactileBOSCH, Cardiff with Penny Hallas and Lyn Davies, 2021.<\/span>
\n\u2022 www.allenfisher.co.uk<\/span>
\n\u2022 recent publication proceeds in the garden, after Dante\u2019s Paradiso (paintings), 2022;<\/span>
\nBlack Pond (paintings and poetry), 2020;<\/span>
\nImperfect Fit (essays on Aesthetics, Facture & Perception, University of Alabama);<\/span>
\nNO LONGER ALONE (poetry with photographs by Paige Mitchell).<\/span>
\nPLACE (1971-1981) and GRAVITY AS A CONSEQUENCE OF SHAPE (1983-2007) available in a complete editions from Reality Street Editions.<\/span><\/p>\nClick here to go back to:\u00a0Contributors and Links to Pages 1 – 4<\/a><\/h4>\n","protected":false},"excerpt":{"rendered":"