{"id":7730,"date":"2022-12-01T13:03:12","date_gmt":"2022-12-01T13:03:12","guid":{"rendered":"https:\/\/glasfrynproject.org.uk\/w\/?p=7730"},"modified":"2025-05-20T07:50:30","modified_gmt":"2025-05-20T07:50:30","slug":"jeremy-hilton-poems-for-chris-torrance","status":"publish","type":"post","link":"https:\/\/glasfrynproject.org.uk\/w\/7730\/jeremy-hilton-poems-for-chris-torrance\/","title":{"rendered":"Jeremy Hilton: Poems for Chris Torrance"},"content":{"rendered":"<p style=\"font-weight: 400;\">Introductory notes to the poems &#8211;<\/p>\n<p style=\"font-weight: 400;\">The 5-part sequence of poems, &#8220;Roads to Glynmercher&#8221; was written in the early months of 2001 as a contribution to the celebration of Chris&#8217;s 60th birthday. My aim was to try and convey something about the person and the place &#8211; Torrance and his remote cottage &#8211; through the different approaches I had made, driving my car, over the previous 30 years. I was aware of a shortage, compared to Europe and the U.S., notably Dorn and Kerouac, of road poems in British alternative\u00a0poetry. The final poem of the five attempts to convey a sense of the invisible and spiritual pathways associated with Chris Torrance and Glynmercher.<\/p>\n<p style=\"font-weight: 400;\">The &#8220;Elegy for Chris Torrance&#8221; was written about 2 months after his death.<\/p>\n<h4><span style=\"color: #993366;\">To Read the Poems:\u00a0<a style=\"color: #993366;\" href=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2022\/10\/Jeremy-Hilton.pdf\">Poems for Chris Torrance<\/a><\/span><\/h4>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-weight: 400;\"><span style=\"color: #008000;\">Jeremy Hilton was born in 1945 in what is now Greater Manchester, and now lives in Bridport, Dorset, with his partner, the writer Kim Taplin. He is a retired social worker, writer, poet and composer of contemporary chamber music. His other enthusiasms are bird-watching, stamp-collecting, bridge-playing, and until recently hill-walking. His poems have appeared in magazines and anthologies worldwide since the 1960s, and he has published 14 books of poetry and one novel. A number of his musical compositions, including two string quartets, have been performed in concert. Between 1995 and 2012, he edited and published <em>Fire<\/em>, an influential and international poetry magazine. His two recent publications have been <em>Fulmar&#8217;s Wing<\/em> (Knives Forks &amp; Spoons Press), a 78-poem sequence of &#8220;irregular sonnets&#8221; lamenting the crisis state of Planet Earth, and <em>Far World From Silesia<\/em> (Brimstone Press), an exploration in prose and verse of the life and works of Emin Pasha.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h4>Click here to go back to:\u00a0<a href=\"https:\/\/glasfrynproject.org.uk\/w\/8008\/contributors-and-links-to-pages-1-4-4\/\">Contributors and Links to Pages 1 &#8211; 4<\/a><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Introductory notes to the poems &#8211; The 5-part sequence of poems, &#8220;Roads to Glynmercher&#8221; was written in the early months of 2001 as a contribution to the celebration of Chris&#8217;s 60th birthday. My aim was to try and convey something about the person and the place &#8211; Torrance and his remote cottage &#8211; through the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":8145,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false},"categories":[66,12],"tags":[],"jetpack_featured_media_url":"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2022\/11\/images.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p42xiC-20G","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/7730"}],"collection":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/comments?post=7730"}],"version-history":[{"count":10,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/7730\/revisions"}],"predecessor-version":[{"id":8282,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/7730\/revisions\/8282"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media\/8145"}],"wp:attachment":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media?parent=7730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/categories?post=7730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/tags?post=7730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}