{"id":7390,"date":"2021-11-15T09:51:41","date_gmt":"2021-11-15T09:51:41","guid":{"rendered":"https:\/\/glasfrynproject.org.uk\/w\/?p=7390"},"modified":"2023-05-17T13:56:22","modified_gmt":"2023-05-17T13:56:22","slug":"contributors-and-links-to-pages","status":"publish","type":"post","link":"https:\/\/glasfrynproject.org.uk\/w\/7390\/contributors-and-links-to-pages\/","title":{"rendered":"Contributors and Links to Pages 1 – 4"},"content":{"rendered":"

Click on the green page numbers to link to required page.<\/p>\n

Page 1<\/a><\/span><\/h4>\n

Editorial<\/strong><\/p>\n

Fran Lock<\/strong>: With my Protecting Angels I Navigate Hell<\/p>\n

Pierre Joris<\/strong>: This Afternoon Dante<\/p>\n

Steph Goodger<\/strong>: Inferno<\/p>\n

Ellen Dillon<\/strong>: Seeking Dantist<\/p>\n

Allen Fisher<\/strong>: Proceeds in the Garden; after Dante<\/p>\n

El\u00e9na Rivera<\/strong>: Speak<\/p>\n

Robert Hampson<\/strong>: Piazza dei Signori<\/p>\n

Philip Terry<\/strong>: Purgatorio Canto XI<\/p>\n

Beth Greenhalgh<\/strong>: Lethe<\/p>\n

Peter Hughes and David Rees<\/strong>: Let’s Dantz<\/p>\n

 <\/p>\n

Page 2<\/span><\/a><\/h4>\n

David Annwn<\/strong>: Dantesserae<\/p>\n

Lee Duggan<\/strong>: from ‘Navigation’<\/p>\n

David Rees Davies: <\/strong>for Dante<\/p>\n

montenegrofisher<\/strong>: Dragonflies<\/p>\n

Rebecca Chesney<\/strong>: To the Uncommitted<\/p>\n

Ian Brinton<\/strong>: Canto V of Inferno, plus Dante and Beckett<\/p>\n

Stephen Emmerson<\/strong>: circles<\/p>\n

Susan Adams<\/strong>: The Ha Ha Man<\/p>\n

Tom Jenks<\/strong>: Spiral Texts<\/p>\n

Penny Hallas<\/strong>: Elevator<\/p>\n

Robert Sheppard<\/strong>: Thinking About Dante<\/p>\n

 <\/p>\n

Page 3<\/a><\/span><\/h4>\n

Simon Collings<\/strong>: Commedia<\/p>\n

Graham Hartill<\/strong>: Cosmology<\/p>\n

Nerys Williams<\/strong>: This New Life<\/p>\n

Doug Jones<\/strong>: Purgatory<\/p>\n

Scott Thurston<\/strong>: Figure Detached Figure Impermanent<\/p>\n

Angela Gardner<\/strong>: The Painful Abyss<\/p>\n

Chris McCabe<\/strong>: midpoint<\/p>\n

Tessa Waite: <\/strong>upriver<\/p>\n

Lyndon Davies<\/strong>: Two Soundpieces<\/p>\n

Anthony Mellors: <\/strong>Canto<\/p>\n

Peter Larkin<\/strong>: Engladings<\/p>\n

 <\/p>\n

Page 4<\/a><\/span><\/h4>\n

Dr.Frances Woodley, Steven Hitchins and Lyndon Davies: Report on the Materials from the Garden Exhibition<\/strong><\/p>\n

Cia Rinne<\/strong>: The Thickness of Books<\/p>\n

Gavin Selerie<\/strong>: Silent Inferno<\/p>\n

John Goodby: <\/strong>Paradiso X 133 – 148<\/p>\n","protected":false},"excerpt":{"rendered":"

Click on the green page numbers to link to required page. Page 1 Editorial Fran Lock: With my Protecting Angels I Navigate Hell Pierre Joris: This Afternoon Dante Steph Goodger: Inferno Ellen Dillon: Seeking Dantist Allen Fisher: Proceeds in the Garden; after Dante El\u00e9na Rivera: Speak Robert Hampson: Piazza dei Signori Philip Terry: Purgatorio Canto […]<\/p>\n","protected":false},"author":2,"featured_media":7166,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false},"categories":[65,12],"tags":[],"jetpack_featured_media_url":"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/11\/images-2.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p42xiC-1Vc","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/7390"}],"collection":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/comments?post=7390"}],"version-history":[{"count":14,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/7390\/revisions"}],"predecessor-version":[{"id":8437,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/7390\/revisions\/8437"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media\/7166"}],"wp:attachment":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media?parent=7390"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/categories?post=7390"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/tags?post=7390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}