{"id":7180,"date":"2021-11-15T09:53:22","date_gmt":"2021-11-15T09:53:22","guid":{"rendered":"https:\/\/glasfrynproject.org.uk\/w\/?p=7180"},"modified":"2021-11-16T21:53:36","modified_gmt":"2021-11-16T21:53:36","slug":"chris-mccabe-midpoint","status":"publish","type":"post","link":"https:\/\/glasfrynproject.org.uk\/w\/7180\/chris-mccabe-midpoint\/","title":{"rendered":"Chris McCabe: midpoint"},"content":{"rendered":"<p><a href=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/11\/Midpoint_Chris-McCabe-copy.jpg\" class=\"thickbox no_icon\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-7181\" src=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/11\/Midpoint_Chris-McCabe-copy-440x383.jpg\" alt=\"\" width=\"600\" height=\"523\" srcset=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/11\/Midpoint_Chris-McCabe-copy-440x383.jpg 440w, https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/11\/Midpoint_Chris-McCabe-copy-102x89.jpg 102w, https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/11\/Midpoint_Chris-McCabe-copy-278x242.jpg 278w, https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/11\/Midpoint_Chris-McCabe-copy-768x669.jpg 768w, https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/11\/Midpoint_Chris-McCabe-copy.jpg 2000w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<div style=\"clear: both;\"><\/div>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #008080;\">Chris McCabe\u2019s work spans artforms and genres including poetry, fiction, non-fiction, drama and visual art. His work has been shortlisted for the Ted Hughes Award and the Republic of Consciousness Prize. His latest poetry collection, <em>The Triumph of Cancer<\/em> is a Poetry Book Society Recommendation and he is the editor of several anthologies including <em>Poems from the Edge of Extinction: An Anthology of Poetry in Endangered Languages<\/em>. His first novel, <em>Dedalus<\/em>, is a sequel to <em>Ulysses<\/em>; his second, <em>Mud<\/em>, a version of the legend of Orpheus and Eurydice, set beneath Hampstead Heath. He is working on an epic series of psychogeographical books documenting the lost poets buried in London&#8217;s Victorian cemeteries, the latest of which is <em>Buried Garden: Lockdown with the Lost Poets of Abney Park Cemetery<\/em>. He works at the National Poetry Library in his role as the National Poetry Librarian.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h4>Click here to go back to:\u00a0<a href=\"https:\/\/glasfrynproject.org.uk\/w\/7392\/contributors-and-links-to-pages-4\/\">Contributors and Links to Pages 1 &#8211; 4<\/a><\/h4>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Chris McCabe\u2019s work spans artforms and genres including poetry, fiction, non-fiction, drama and visual art. His work has been shortlisted for the Ted Hughes Award and the Republic of Consciousness Prize. His latest poetry collection, The Triumph of Cancer is a Poetry Book Society Recommendation and he is the editor of several anthologies including [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7166,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false},"categories":[64,12],"tags":[],"jetpack_featured_media_url":"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/11\/images-2.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p42xiC-1RO","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/7180"}],"collection":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/comments?post=7180"}],"version-history":[{"count":8,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/7180\/revisions"}],"predecessor-version":[{"id":7527,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/7180\/revisions\/7527"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media\/7166"}],"wp:attachment":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media?parent=7180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/categories?post=7180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/tags?post=7180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}