{"id":7016,"date":"2021-11-04T14:32:43","date_gmt":"2021-11-04T14:32:43","guid":{"rendered":"https:\/\/glasfrynproject.org.uk\/w\/?p=7016"},"modified":"2021-11-08T21:13:13","modified_gmt":"2021-11-08T21:13:13","slug":"zoom-launch","status":"publish","type":"post","link":"https:\/\/glasfrynproject.org.uk\/w\/7016\/zoom-launch\/","title":{"rendered":"Zoom Launch"},"content":{"rendered":"<h3 style=\"text-align: center;\"><u><a href=\"https:\/\/glasfrynproject.org.uk\/w\/category\/aquifer-press\/\">AQUIFER BOOKS<\/a><\/u><\/h3>\n<h4 style=\"text-align: center;\"><span style=\"color: #000000;\">Zoom launch of four new collections<\/span><\/h4>\n<h4 style=\"text-align: center;\"><span style=\"color: #000000;\">by<\/span><\/h4>\n<h4 style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>Sarah Crewe, Ian Davidson, Graham Hartill <\/strong><\/span><\/h4>\n<h4 style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>and Dorothy Lehane<\/strong><\/span><\/h4>\n<h4 style=\"text-align: center;\"><span style=\"color: #000000;\"><strong>Wednesday, December 1st, 2021, 19.30 pm GMT<\/strong><\/span><\/h4>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><em><a href=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/09\/Dorothy-Lehane-copy-18-2-e1630748958917.jpg\" class=\"thickbox no_icon\"><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-6665 alignleft\" src=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/09\/Dorothy-Lehane-copy-18-2-273x440.jpg\" alt=\"\" width=\"243\" height=\"392\" \/><\/a>\u00a0<a href=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/05\/Sarah-Crewe-revised-cover-1.jpg\" class=\"thickbox no_icon\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-6450\" src=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/05\/Sarah-Crewe-revised-cover-1-316x440.jpg\" alt=\"\" width=\"278\" height=\"387\" srcset=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/05\/Sarah-Crewe-revised-cover-1-316x440.jpg 316w, https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/05\/Sarah-Crewe-revised-cover-1-73x102.jpg 73w, https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/05\/Sarah-Crewe-revised-cover-1-200x278.jpg 200w, https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/05\/Sarah-Crewe-revised-cover-1.jpg 450w\" sizes=\"(max-width: 278px) 100vw, 278px\" \/><\/a><\/em><\/p>\n<div style=\"clear: both;\"><\/div>\n<p><a href=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/04\/Rhapsodies-Cover-e1619084193247.jpg\" class=\"thickbox no_icon\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-large wp-image-6436\" src=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/04\/Rhapsodies-Cover-296x440.jpg\" alt=\"\" width=\"296\" height=\"440\" \/><\/a><br \/>\n<a href=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/03\/By-Tiny-Twisting-Ways-Cover-e1617368303699.jpg\" class=\"thickbox no_icon\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-6389\" src=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2021\/03\/By-Tiny-Twisting-Ways-Cover-288x440.jpg\" alt=\"\" width=\"300\" height=\"458\" \/><\/a><\/p>\n<div style=\"clear: both;\"><\/div>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">Zoom link for the event:<\/p>\n<p><a href=\"https:\/\/ucd-ie.zoom.us\/j\/64501942805?pwd=bUhPMWZ2amEzYzhabkhTMkh4Z21qUT09\">https:\/\/ucd-ie.zoom.us\/j\/64501942805?pwd=bUhPMWZ2amEzYzhabkhTMkh4Z21qUT09<\/a><\/p>\n<div style=\"clear: both;\"><\/div>\n<p>&nbsp;<\/p>\n<p><strong>Dorothy Lehane<\/strong> is the author of six poetry publications:<i> <a href=\"https:\/\/glasfrynproject.org.uk\/w\/6660\/dorothy-lehane-house-girl-2\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/glasfrynproject.org.uk\/w\/6660\/dorothy-lehane-house-girl-2\/&amp;source=gmail&amp;ust=1636481304476000&amp;usg=AFQjCNHp248Y2siGLPtykKZZGrmsWK9QYg\">House Girl<\/a><\/i> (Aquifer Press, 2021), <a href=\"https:\/\/runamokpress.com\/books\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/runamokpress.com\/books\/&amp;source=gmail&amp;ust=1636481304476000&amp;usg=AFQjCNHUuAZWojp1tBgMVHRKtAKCScYnHQ\">I\u2019m very interested in falling in love with you<\/a> (Run Amok Press, 2021), (<a href=\"https:\/\/www.muscaliet.co.uk\/product\/bettbehandlung-dorothy-lehane\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.muscaliet.co.uk\/product\/bettbehandlung-dorothy-lehane\/&amp;source=gmail&amp;ust=1636481304476000&amp;usg=AFQjCNE-0G2dTOgPxutREmJjtwOPMHmF_g\"><i>Bettbehandlung<\/i><\/a>\u00a0(Muscaliet Press, 2018), <a href=\"http:\/\/leafepress.com\/catalog\/lehane\/lehane.html\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/leafepress.com\/catalog\/lehane\/lehane.html&amp;source=gmail&amp;ust=1636481304476000&amp;usg=AFQjCNGHYqOwhtRMEsYwMnhE9q6-oz-uAw\"><i>Umwelt<\/i><\/a>\u00a0(Leafe Press, 2016),\u00a0<a href=\"http:\/\/ninearchespress.com\/publications\/poetry-collections\/ephemeris.html\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/ninearchespress.com\/publications\/poetry-collections\/ephemeris.html&amp;source=gmail&amp;ust=1636481304476000&amp;usg=AFQjCNFvnXi6V6yOKYl7dV6A6c7egOrMyA\"><i>Ephemeris<\/i><\/a>\u00a0(Nine Arches Press, 2014) and\u00a0<a href=\"http:\/\/dulcetshop.myshopify.com\/products\/places-of-articulation-dorothy-lehane\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/dulcetshop.myshopify.com\/products\/places-of-articulation-dorothy-lehane&amp;source=gmail&amp;ust=1636481304477000&amp;usg=AFQjCNF2jLLl-1BMkgx_p_aFXXJxgGIxRA\"><i>Places of Articulation<\/i><\/a>\u00a0(dancing girl press 2014). She is the founding editor of <a href=\"http:\/\/www.litmuspublishing.co.uk\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.litmuspublishing.co.uk&amp;source=gmail&amp;ust=1636481304477000&amp;usg=AFQjCNFf0ALybzyOeem7fTPx8hzD4aOnUw\">Litmus Publishing<\/a> and teaches Creative Writing at the University of Kent.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Ian Davidson<\/strong>\u2019s most recent poetry publications are\u00a0<i>By Tiny Twisting Ways<\/i>\u00a0(Aquifer 2021) and\u00a0<i>From a Council House in Connacht<\/i>\u00a0(Oystercatcher 2021). His\u00a0<i>Selected Poems<\/i>\u00a0are forthcoming from Shearsman. Current work can also be found in\u00a0<i>Plumwood Mountain<\/i>, Black\u00a0<i>Box Manifold<\/i>,\u00a0<i>Tears in the Fence<\/i>\u00a0and the\u00a0<i>Long Poem Magazine<\/i>. Critical work includes monographs and articles on ideas of space and mobility in modern and contemporary poetry with recent essays considering the work of\u00a0 Diane di Prima, Bill Griffiths, Tom Pickard, Lenore Kandel, Rhys Trimble and Leslie Harrison. Brought up in Wales, where he spent much of his life, he now lives on a small farm in Mayo, Ireland. He is Professor of Poetry in University College Dublin.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Graham Hartill<\/strong> was born in the English Midlands in 1952. After a studying in the US he moved back to Wales and became a mainstay of the burgeoning poetry scene in Cardiff and with Open World Poetics in Glasgow. He moved to the Black Mountains in 1992. Of his latest collection, <em>Rhapsodies<\/em>, Chris Torrance wrote: \u201craw excitement, koans, quotes&#8230;marshalling a wide-ranging questioning. A terrific book.\u201d Graham teaches post-graduate students Creative Writing for Therapeutic Purposes for the Metanoia Institute in London and recently finished a 15 years stint as writer-in-residence at HMP Parc, Bridgend. He has published widely, both poetry, papers on facilitation and co-translations with Wu Fusheng (of the University of Utah) from classical Chinese.<\/p>\n<p><em>Recent publications include:\u00a0<\/em><\/p>\n<p><em>Rhapsodies: (poems). <\/em>Aquifer Books, Llangattock, 2021<\/p>\n<p><em>The Selected Poems of Meng Haoran <\/em>(with Wu Fusheng). The Commercial Press, Beijing, 2021<\/p>\n<p><em>Selected Poems of the Seven Masters of the Jian\u2019an Era <\/em>(with Wu Fusheng). The Commercial Press, Beijing, 2018<\/p>\n<p><em>Slipping the Leash <\/em>(with Chris Torrance &amp; Phil Maillard) Aquifer Books, Llangatock 2015<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sarah Crewe<\/strong> is a working class feminist poet from the Port of Liverpool. She is the author of two poetry collections<i>, garn\u00a0<\/i>and\u00a0<i>floss<\/i>\u00a0(Aquifer Books, 2021\/2018). She also produces\u00a0<i>mazie<\/i>, a DIY zine of music reviews and poetry.\u00a0She has a MA in Poetry as Practice from the University of Kent,with a thesis on\u00a0<i>working class women&#8217;s psychogeography in experimental poetry: the work of Geraldine Monk and Maggie O&#8217;Sullivan.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>AQUIFER BOOKS Zoom launch of four new collections by Sarah Crewe, Ian Davidson, Graham Hartill and Dorothy Lehane Wednesday, December 1st, 2021, 19.30 pm GMT &nbsp; \u00a0 &nbsp; Zoom link for the event: https:\/\/ucd-ie.zoom.us\/j\/64501942805?pwd=bUhPMWZ2amEzYzhabkhTMkh4Z21qUT09 &nbsp; Dorothy Lehane is the author of six poetry publications: House Girl (Aquifer Press, 2021), I\u2019m very interested in falling in [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false},"categories":[6],"tags":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p42xiC-1Pa","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/7016"}],"collection":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/comments?post=7016"}],"version-history":[{"count":17,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/7016\/revisions"}],"predecessor-version":[{"id":7220,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/7016\/revisions\/7220"}],"wp:attachment":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media?parent=7016"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/categories?post=7016"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/tags?post=7016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}