Author’s note:<\/p>\n
Via Settembre<\/span><\/i>\u00a0is a long sequence made up of short, discrete units.\u00a0\u00a0Hinging these units are distorted movements and repetitions; shifting focus to disable a sense of \u2018self\u2019 and \u2018known\u2019 landscape.\u00a0\u00a0Much of the work responds to walks and swims taken during September 2019 in North West Wales, but as the title suggests there is an infusion of Italian experience here too. The sequence sits between three others,\u00a0Green\u00a0<\/i>Oystercatcher\u00a0(2019), Wanderings\u00a0<\/i>and an untitled work in progress.\u00a0\u00a0Each was written in part during trips to Italy, with the art, architecture, natural world and language fusing with versions of being.\u00a0\u00a0Sections from the sequence have also appeared in NOON Journal of the Short Poem Issue 16.<\/span><\/p>\n <\/p>\n Lee Duggan is a poet based in the foothills of Snowdonia.\u00a0 With a focus on marginalisation she explores reclaimed landscapes through innovative approaches to language and facilitates writing for wellbeing workshops.\u00a0 Her first collection, Reference Points <\/i>was published by Aquifer (2017) which received positive review in the 2018 summer edition of Poetry Wales and in Eliptical Movements (July 2020).\u00a0 <\/span>In 2019 her Green<\/i> sequence was published by Oystercatcher Press. Her work appeared in the important anthology of contemporary Welsh innovative poetry, The Edge of Necessary<\/i> (2018) Aquifer.\u00a0<\/span><\/span><\/p>\n <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Author’s note: Via Settembre\u00a0is a long sequence made up of short, discrete units.\u00a0\u00a0Hinging these units are distorted movements and repetitions; shifting focus to disable a sense of \u2018self\u2019 and \u2018known\u2019 landscape.\u00a0\u00a0Much of the work responds to walks and swims taken during September 2019 in North West Wales, but as the title suggests there is an […]<\/p>\n","protected":false},"author":2,"featured_media":6042,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false},"categories":[56,12],"tags":[],"jetpack_featured_media_url":"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2020\/08\/Unknown.jpeg","jetpack_shortlink":"https:\/\/wp.me\/p42xiC-1yH","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/5995"}],"collection":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/comments?post=5995"}],"version-history":[{"count":6,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/5995\/revisions"}],"predecessor-version":[{"id":6066,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/5995\/revisions\/6066"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media\/6042"}],"wp:attachment":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media?parent=5995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/categories?post=5995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/tags?post=5995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}<\/h4>\n
To Read:\u00a0from<\/em> Via Settembre<\/a><\/h4>\n