{"id":3563,"date":"2015-05-12T11:57:13","date_gmt":"2015-05-12T11:57:13","guid":{"rendered":"http:\/\/glasfrynproject.org.uk\/w\/?p=3563"},"modified":"2021-04-08T13:38:43","modified_gmt":"2021-04-08T13:38:43","slug":"swansea-automatic","status":"publish","type":"post","link":"https:\/\/glasfrynproject.org.uk\/w\/3563\/swansea-automatic\/","title":{"rendered":"&#8216;SWANSEA AUTOMATIC&#8217; by Rhys Trimble"},"content":{"rendered":"<h4><a href=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2015\/05\/Swansea-Automatic-Front-Cover.jpg\" class=\"thickbox no_icon\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-3564\" src=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2015\/05\/Swansea-Automatic-Front-Cover.jpg\" alt=\"Swansea Automatic Front Cover\" width=\"331\" height=\"544\" srcset=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2015\/05\/Swansea-Automatic-Front-Cover.jpg 331w, https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2015\/05\/Swansea-Automatic-Front-Cover-62x102.jpg 62w, https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2015\/05\/Swansea-Automatic-Front-Cover-169x278.jpg 169w, https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2015\/05\/Swansea-Automatic-Front-Cover-267x440.jpg 267w\" sizes=\"(max-width: 331px) 100vw, 331px\" \/><\/a><em><br \/>\n<\/em><\/h4>\n<div style=\"clear: both;\"><\/div>\n<h4>&#8220;Swansea Automatic is Rhys Trimble&#8217;s most ambitious work to date, and it\u00a0confirms his status as the most inventive young poet in Wales&#8221;. \u00a0 \u00a0 \u00a0(John Goodby)<\/h4>\n<p>&nbsp;<\/p>\n<h4>In 1973, Bernadette Mayer and others, including Nick Piombino and Toni Simon,\u00a0worked their way through a series\u00a0of radical poetic exercises to produce one of the seminal documents of the new L=A=N=G=U=A=G=E poetry movement. Forty years on, Rhys Trimble has\u00a0taken the experiments and applied them to the writing of a long, &#8216;dirty narrative&#8217; poem about Swansea which even Mayer and Co. would have applauded for\u00a0the risks it takes and the thrills it generates.<\/h4>\n<p>&nbsp;<\/p>\n<p>&#8220;How to start something? with my own handwriting\u2014a wooden pen\u2014gone for the cheaper book\u2014not the moleskine\u2014the two pound one [not weight] with5 sections\u2014orange, pink, yellow, green, blue\u2014with a struck bell, with a departure.<\/p>\n<p>This is a practical creative writing manual\u2014I will take all the advice I\u2019m given\u2014I advise myself to choose a springbound book\u2014to be free, to use my own handwriting, to use a wooden pen.&#8221;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Published May\u00a02015.<\/p>\n<p>ISBN 978-0-9928438-4-7<\/p>\n<p>Rhys Trimble says: I wrote this book because my girlfriend was going to Spain with her mother. I read that Bukowski had written <em>post office<\/em> in two weeks so I challenged myself to write a novel in two weeks. it took about 3 months in the end, or the initial part did: to write it by hand into the \u2018novel sized\u2019 ring bound book that I bought from the works for 1.99 with five coloured sections \u2013 the typing took about a year. To add a conceptual element to the writing and make the book a kind of \u2018creative writing manual\u2019 I searched for some exercises or recommendations that are given to those that want to \u2018be creative\u2019 and I hit on the list given at the start of l=a=n=g=u=a=g=e magazine No<sup>3<\/sup> 1973 by Bernadette Mayer. When I found my prose getting dull or repetitive I wrote out one of the experiments (in order) from the list. This is the result.<\/p>\n<p>&nbsp;<\/p>\n<p>If you live in GREAT BRITAIN, you can buy this book by clicking below:<\/p>\n<div class=\"paypal\">\n<h4>Buy this book<\/h4>\n<p>Buy this book for \u00a310.50, inclusive of Post &amp; Packaging<br \/>\nPayments are taken via PayPal<\/p>\n<form class=\"paypal\" action=\"https:\/\/www.paypal.com\/cgi-bin\/webscr\" method=\"post\" name=\"_xclick\"><input name=\"cmd\" type=\"hidden\" value=\"_xclick\" \/><br \/>\n<input name=\"business\" type=\"hidden\" value=\"goodiebard2@googlemail.com\" \/><br \/>\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" \/><br \/>\n<input name=\"item_name\" type=\"hidden\" value=\"Swansea Automatic\" \/><br \/>\n<input name=\"amount\" type=\"hidden\" value=\"10.50\" \/><br \/>\n<input alt=\"Make payments with PayPal - it's fast, free and secure!\" name=\"submit\" src=\"http:\/\/glasfrynproject.org.uk\/px\/buynow.png\" type=\"image\" \/><\/form>\n<\/div>\n<p>&nbsp;<\/p>\n<p>For buyers in the USA, AUSTRALIA or NEW ZEALAND, the cost is \u00a315.00 inclusive of postage and packing. To purchase a copy click on the button below:<\/p>\n<div class=\"paypal\">\n<h4>Buy this book<\/h4>\n<p>Buy this book for \u00a315.00, inclusive of Post &amp; Packaging<br \/>\nPayments are taken via PayPal<\/p>\n<form class=\"paypal\" action=\"https:\/\/www.paypal.com\/cgi-bin\/webscr\" method=\"post\" name=\"_xclick\"><input name=\"cmd\" type=\"hidden\" value=\"_xclick\" \/><br \/>\n<input name=\"business\" type=\"hidden\" value=\"goodiebard2@googlemail.com\" \/><br \/>\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" \/><br \/>\n<input name=\"item_name\" type=\"hidden\" value=\"Swansea Automatic\" \/><br \/>\n<input name=\"amount\" type=\"hidden\" value=\"15.00\" \/><br \/>\n<input alt=\"Make payments with PayPal - it's fast, free and secure!\" name=\"submit\" src=\"http:\/\/glasfrynproject.org.uk\/px\/buynow.png\" type=\"image\" \/><\/form>\n<\/div>\n<p>&nbsp;<\/p>\n<p>For buyers in EUROPE\u00a0the cost is \u00a312.50 inclusive of postage and packing. To purchase a copy click below:<\/p>\n<div class=\"paypal\">\n<h4>Buy this book<\/h4>\n<p>Buy this book for \u00a312.50, inclusive of Post &amp; Packaging<br \/>\nPayments are taken via PayPal<\/p>\n<form class=\"paypal\" action=\"https:\/\/www.paypal.com\/cgi-bin\/webscr\" method=\"post\" name=\"_xclick\"><input name=\"cmd\" type=\"hidden\" value=\"_xclick\" \/><br \/>\n<input name=\"business\" type=\"hidden\" value=\"goodiebard2@googlemail.com\" \/><br \/>\n<input name=\"currency_code\" type=\"hidden\" value=\"GBP\" \/><br \/>\n<input name=\"item_name\" type=\"hidden\" value=\"Swansea Automatic\" \/><br \/>\n<input name=\"amount\" type=\"hidden\" value=\"12.50\" \/><br \/>\n<input alt=\"Make payments with PayPal - it's fast, free and secure!\" name=\"submit\" src=\"http:\/\/glasfrynproject.org.uk\/px\/buynow.png\" type=\"image\" \/><\/form>\n<\/div>\n<p>&nbsp;<\/p>\n<p>If you prefer to pay by cheque (sterling) please make the cheque payable to Aquifer Books and send to Glasfryn, Llangattock, Powys, NP8 1PH<\/p>\n<p>For information regarding multiple purchase orders, including postage and packing costs, please email goodiebard2@googlemail.com<\/p>\n<p>Data exchanged via Paypal for purchase and delivery of books will be used solely for the purposes of the particular transaction and then deleted from the email record. Invoices will be protected by password. No data will be shared with third parties.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Swansea Automatic is Rhys Trimble&#8217;s most ambitious work to date, and it\u00a0confirms his status as the most inventive young poet in Wales&#8221;. \u00a0 \u00a0 \u00a0(John Goodby) &nbsp; In 1973, Bernadette Mayer and others, including Nick Piombino and Toni Simon,\u00a0worked their way through a series\u00a0of radical poetic exercises to produce one of the seminal documents of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3564,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false},"categories":[34],"tags":[],"jetpack_featured_media_url":"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2015\/05\/Swansea-Automatic-Front-Cover.jpg","jetpack_shortlink":"https:\/\/wp.me\/p42xiC-Vt","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/3563"}],"collection":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/comments?post=3563"}],"version-history":[{"count":42,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/3563\/revisions"}],"predecessor-version":[{"id":6421,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/3563\/revisions\/6421"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media\/3564"}],"wp:attachment":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media?parent=3563"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/categories?post=3563"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/tags?post=3563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}