{"id":2422,"date":"2013-03-01T18:48:04","date_gmt":"2013-03-01T18:48:04","guid":{"rendered":"http:\/\/glasfrynproject.org.uk\/w\/?p=2422"},"modified":"2013-11-13T17:19:31","modified_gmt":"2013-11-13T17:19:31","slug":"jeff-hilson-latanoprost-variations-abandoned","status":"publish","type":"post","link":"https:\/\/glasfrynproject.org.uk\/w\/2422\/jeff-hilson-latanoprost-variations-abandoned\/","title":{"rendered":"JEFF HILSON: Latanoprost Variations (Abandoned)"},"content":{"rendered":"
dear sheila jordan who are you will you be my next project its writ in latin in the latin language & will make you a star (my favourite word is french it is d-u-v-e-t and is made of five letters which are all different (also it is not a anagram of anything close like other objects ie fringe or reindeer which is harder than you think to pronounce\/ dear sheila jordan I think I forget you for three weeks when I was in ireland\/today I went to these streets: druid lane and to a disco\/ there I hear of a man in a see-through box but how can this be\/ he is not in my book? dear sheila jordan this is funny\/ ‘richard is stranger than judy’ but you won’t know this without you have seen a tv\/ no I am lying again I mean a fridge a cold dark place for the lettuce\/\u00a0it is 11.14 pm and I will now sing wildwood flower which was writ 345 years after thomas campion\/ \u00a0\u00a0
\n<\/span><\/h6>\n

TO READ THIS ARTICLE, CLICK HERE<\/span>: LATANOPROST VARIATIONS<\/span><\/a><\/p>\n

TO READ JEFF HILSON’S COMMENTARY ON THE ABOVE, CLICK HERE: On Latanoprost Variations<\/span><\/a><\/span><\/p>\n

TO SEE JEFF HILSON READING LATANOPROST VARIATIONS, CLICK HERE: www.youtube.com\/watch?v=V_vmQuJSd-I<\/span><\/a><\/span><\/span><\/p>\n

Jeff Hilson\u2019s publications include stretchers<\/em> (2006, Reality Street), Bird bird<\/em> (2009, Landfill) and In The Assarts<\/em> (2010, Veer Books). He also edited The Reality Street Book of Sonnets<\/em> (2008, Reality Street). Work from a new sequence called \u201cOrgan Music\u201d has appeared in VLAK<\/em>, Open Letter<\/em>, Painted, Spoken<\/em>, and Infinite Editions<\/em> as well as from Crater Press in a small & delightful broadside. A selection of writing was included in Jacket 2<\/em>\u2019s recent \u201cContemporary English Poetry and North American Influences\u201d feature (http:\/\/jacket2.org\/feature\/contemporary-english-poetry-and-north-american-influences<\/a>). He teaches Creative Writing at Roehampton University, London and runs the reading series Xing the Line.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

dear sheila jordan who are you will you be my next project its writ in latin in the latin language & will make you a star (my favourite word is french it is d-u-v-e-t and is made of five letters which are all different (also it is not a anagram of anything close like other […]<\/p>\n","protected":false},"author":2,"featured_media":2426,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false},"categories":[32,12],"tags":[],"jetpack_featured_media_url":"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2013\/03\/logo-B-2.jpg","jetpack_shortlink":"https:\/\/wp.me\/p42xiC-D4","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/2422"}],"collection":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/comments?post=2422"}],"version-history":[{"count":24,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/2422\/revisions"}],"predecessor-version":[{"id":2761,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/2422\/revisions\/2761"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media\/2426"}],"wp:attachment":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media?parent=2422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/categories?post=2422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/tags?post=2422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}