{"id":1791,"date":"2012-05-28T21:18:03","date_gmt":"2012-05-28T21:18:03","guid":{"rendered":"http:\/\/glasfrynproject.org.uk\/w\/?p=1791"},"modified":"2012-06-06T20:43:19","modified_gmt":"2012-06-06T20:43:19","slug":"allen-fisher","status":"publish","type":"post","link":"https:\/\/glasfrynproject.org.uk\/w\/1791\/allen-fisher\/","title":{"rendered":"ALLEN FISHER: The Aesthetics of the Imperfect Fit"},"content":{"rendered":"<h4>Allen Fisher, Notes for the Glasfryn Seminar,<br \/>\nThe \u00c6sthetics of the Imperfect Fit, and a coda<br \/>\n(Sustained Resilience: Joseph Beuys, Vitrine 28, 1962-1980)<br \/>\ndelivered on 25th February 202 in Llangattock, Wales.<\/h4>\n<p>These pages are notes made in preparation for the Seminar<\/p>\n<p>and should not be thought of as a complete articulation of it.<\/p>\n<p><strong>preamble<\/strong><\/p>\n<p>today\u2019s seminar is in three sets, two before lunch, one after<\/p>\n<p>the subject is aesthetics, the underlying themes are facture and aesthetic reception<\/p>\n<p>eventually the subject will be how meaning might be achieved by slow accretions and lead to aspects of truth telling<\/p>\n<p>the two sets before lunch blur some of their parameters,<\/p>\n<p>these are the ideas of the natural and cultural worlds,<\/p>\n<p>worlds that are clearly inseparable.<\/p>\n<p><span style=\"color: #0000ff;\"><strong>TO READ THIS ARTICLE CLICK HERE <\/strong>: <a href=\"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2012\/05\/The-\u00c6sthetics-of-the-Imperfect-Fit-.pdf\">The \u00c6sthetics of the Imperfect Fit<\/a><\/span><\/p>\n<p><span style=\"color: #339966;\">Allen Fisher\u00a0is a poet, painter, publisher and art\u00a0historian, lives in Hereford. Over 140 single-authored\u00a0publications of poetry,\u00a0graphics and art documentation; contributed to <em>Fluxshoe England West <\/em>in 1970s; exhibited in\u00a0many shows from Fluxus Britannica Tate Britain to Lifting from fear\u00a0King\u2019s Gallery York. Examples of his work are in the Tate Collection,\u00a0the Living Museum,\u00a0Iceland and various private collections in America, Australia, Britain and UAE. Seven recent books were <em>Proposals: poem-image-commentary<\/em>; <em>Leans; Confidence in\u00a0lack<\/em>, essays;\u00a0<em>Singularity Stereo, Place; Entanglement<\/em>; and <em>Gravity<\/em>. Recent talks included <em>The \u00c6sthetics of the Imperfect Fit <\/em>with a coda for Joesph Beuys, at Glasfryn Seminars, and <em>Poetic facture and visual art <\/em>for Plymouth Contemporary Poetry &amp; Source.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Allen Fisher, Notes for the Glasfryn Seminar, The \u00c6sthetics of the Imperfect Fit, and a coda (Sustained Resilience: Joseph Beuys, Vitrine 28, 1962-1980) delivered on 25th February 202 in Llangattock, Wales. These pages are notes made in preparation for the Seminar and should not be thought of as a complete articulation of it. preamble today\u2019s [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1902,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"footnotes":"","_jetpack_memberships_contains_paid_content":false},"categories":[31,12],"tags":[],"jetpack_featured_media_url":"https:\/\/glasfrynproject.org.uk\/w\/wp-content\/uploads\/2012\/04\/issue-3-final-logo.jpg","jetpack_shortlink":"https:\/\/wp.me\/p42xiC-sT","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/1791"}],"collection":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/comments?post=1791"}],"version-history":[{"count":53,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/1791\/revisions"}],"predecessor-version":[{"id":2262,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/posts\/1791\/revisions\/2262"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media\/1902"}],"wp:attachment":[{"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/media?parent=1791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/categories?post=1791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glasfrynproject.org.uk\/w\/wp-json\/wp\/v2\/tags?post=1791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}